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Sonata for piano in B minor, Op. 5 : ウィキペディア英語版
Piano Sonata in B minor (Strauss)

The Piano Sonata in B minor, Op.5, was written by Richard Strauss in 1881–82 when he was 17 years old. The Sonata is in the Romantic style of his teenage years. The first recording of the piece was the last recording made by the Canadian pianist Glenn Gould.
==Composition==

The Piano Sonata is in 4 movements:
*1 Allegro molto Appassionato
*2. Adagio Cantabile
*3. Scherzo Presto – Trio un poco piu Lento
*4. Finale, Allegro vivo.
The first movement and Finale are in Sonata form. The Adagio is in Ternary form with an ABA structure; the Scherzo is a "full fledged Sherzo in an expanded ABABA form . The first movement is notable for having the main theme based on the repeated note short-short-short long which echoes the rhythm of the Fate motif of Beethoven's Fifth symphony.〔Philip Ramey (1984), Liner notes to CD ''Richard Strauss-Glenn Gould–Sonata Op.5 and Five Piano Pieces'', CBS Masterworks – D 38659.〕 Larry Todd states that:
The first movement appropriates its familiar four-note head motive from Beethoven's Fifth Symphony. The first movement is fairly saturated with the motive, which appears in the first theme, the bridge and the closing section of the exposition. In addition, much of the development is devoted to a treatment of the motive, and in the closing bars of the movement we find a major key version of the close of Beethoven's first movment". .
In the three subsequent movements, "the reliance on Mendelssohn comes more and more to the fore". In particular, Todd argues that Strauss' ''Adagio Canbtabile'' is effectively a Mendelssohnian ''Lied ohne Worte'' (Song without words) . In the Scherzo and Finale, one can also find echoes of Mendelssohn, both in terms of structure, time signature and thematic material. The performance time is approximately 27 minutes.
Strauss had been writing pieces for the piano since he was seven years old, but the Piano Sonata was the most significant one of three to which he gave an opus number (the other two being his ''Five piano pieces'', Op. 3, written in 1882, and ''Stimmungsbilder'', Op. 9, written in 1884). After 1884 his piano writing was either for piano and orchestra (''Burleske in D minor'' (1886) and ''Parergon zur Symphonia Domestica'' (1925)) or as an accompaniment to the voice in ''ドイツ語:Lieder'' or other instruments.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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